Underlying the punctured boxes of Alberto Campo Baeza is what the architect calls an ‘impulvium of light’, pierced to received a ‘fine luminous rain’ that splashes us with its slow sweep’, but also displays the sun’s shifting spectrum in ‘stains of changing light projected through skylights, to dance on walls throughout the day and create a space suspended in time’.
Plummer, H. (2009). The architecture of natural light. London: Thames & Hudson.
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